Grammy Highs, Lows, Questions and Folly

Grammy AwardOh, the Grammys. Yes, I know they don’t necessarily award the best in music. Yes, I suspect that they plant certain nominations to raise their television ratings. But yes, I am loyal, as often the Grammys deliver on something interesting to see, even if it’s a train wreck.

As the saying goes, “if you can’t say anything nice…” But I can say something nice, so I’ll start with that.

Beck had a big night — two awards and a great performance with Chris Martin of Coldplay. His award was announced by Prince, and even Kanye graced him with attention.

Thumbs up to the Grammy broadcast producers, too, for pairing Sam Smith and Mary J. Blige. His earnestness and her passion were a good combination, not to mention how well their voices sound together. I was getting a little tired of that song by the end of the night, but that was only because the clip was played those zillions of times Smith walked on stage to collect yet another award.

Lady Gaga proved herself to be a master of reinvention, and she didn’t even wait for her AARP card to show off her chops with the standards.

AC/DC? It’s been a tough year for these guys. Their opener dragged a bit, but they redeemed themselves with “Highway to Hell.” (The devil horns in the audience, though, didn’t help.) It was a female country artist who really rocked it — Miranda Lambert with “Little Red Wagon.” She was even bleeped.

And Annie Lennox. If you didn’t see it, I hope you have it DVRd.

But the Grammys always leave me with questions and curiosities and deliver more than a hint of folly, especially when Kanye West is around. Here are a few I had last night.

Since when are novelty songs nominated for Record of the Year? “How was it that “All About That Bass” was treated as a serious contender? It’s not as if this subject hasn’t been covered before. Off the top of my head Sir Mix-a-Lot and Queen come to mind as having honored the more robust female physique decades ago. Of course, that was a case of men, not women, sexualizing more ample female bodies. Perhaps that’s why those songs tend to elicit snickers and not Grammy nominations.

What are the folks behind the Grammys broadcast going to say about the problem with McCartney’s microphone? I can’t wait to hear the excuses. Maybe they’ll just ignore it, hoping it goes away, like that disastrous performance when they paired Taylor Swift with Stevie Nicks in 2010 for “Rhiannon.” Who knows. But McCartney handled it like a pro. I can’t imagine what kind of tantrum Kanye West would have thrown had his mic been silenced. (We might look to the toy aisles at Target for an answer to that question.)

Speaking of looks, what do you think Prince’s expression was when Kanye indulged himself in a flashback moment and began to take the stage when Beck won Album of the Year? We couldn’t see behind his shades.

Maybe it was just more of this.

Prince

 

 

 

Also, do we need to stop referring to him as the Purple One and begin calling him Orange Julius?

Why was Best Rock Performance not televised? Every artist in that category is well-known, and there is a whole lot more creativity going on among them than the Record of the Year or Song of the Year nominees. (It might have been nice for one of those songs to have been included in these cross-genre categories… break the cycle of “girl power” anthems.)

Maybe these guys just weren’t interested in showing up. Can you blame them? The 2015 Grammys may have been a lot of things, but it wasn’t rockin’ (Miranda Lambert excepted).

 

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Songs That Make Life Better

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Yes, I have a copy of the soundtrack to “Times Square” on vinyl!

There’s this great post over at 500 Reasons Why The 80s Didn’t Suck on 52 songs you could not live without. (Truthful blog title, by they way. Eighties music doesn’t suck, and I’m happy to debate the point with anyone.) This is great inspiration for Songs That Shaped A Life, because… how could I live without my songs?

I’m going to put a little twist on this. Thinking of 52 songs I can’t live without leaves 100s alone and unmentioned. So, this list is 25 songs that make my life better. Call it my birthday mix tape. It may not look the same next year, but for now, here goes…

“Maiden Chant,” Liz Story
“Maybe I’m Amazed,” Paul McCartney
“Don’t Tell Me You Love Me,” Night Ranger
“Shake the Disease,” Depeche Mode
“Panama,” Van Halen
“Supermassive Black Hole,” Muse
“I Will Possess Your Heart,” Death Cab for Cutie
“You Don’t Have To Cry,” Crosby, Stills & Nash
“Cowboys and Angels,” George Michael
“Song for the Dead,” Queens of the Stone Age
“New Kid In Town,” The Eagles
“Please, Please, Please Let Me Get What I Want,” The Smiths
“Blue Monday,” New Order
“Green and Gray,” Nickel Creek
“Dream Brother,” Jeff Buckley
“Magic Man,” Heart
“To Live and Die in LA,” Wang Chung
“Love Is The Answer,” England Dan & John Ford Coley
“Here Comes The Rain Again,” Eurythmics
“Madonna of the Wasps,” Robyn Hitchcock & The Egyptians
“Eyes of the World,” The Grateful Dead
“You’re the Best Thing That Ever Happened to Me,” Gladys Night & The Pips
“The Killing Moon,” Echo & The Bunnymen
“Champagne Supernova,” Oasis
“Gymnopedies,” Erik Satie, composer

Why these? I recall that each of these had me within the first verse, sometimes just with the opening notes. There are plenty more, though, so I’m not sure why I am even attempting such a list.

Feel free to comment with any of your own. You’ll probably remind me of number 26, number 27…

Best Opening Lines

guitarnotepadEarlier this year I collected from a broad cross-section of my music-loving friends a list of rock/pop’s best opening lines.

I was motivated by this post from vh1.com. My feedback to them — it is hyperbole to say that your intern has identified the 40 greatest opening lines in music history. Your list includes too many that don’t measure up and omits too many that deserve the props. More than a handful are obvious, in an obligatory way. If anything, your list is a reminder that there are many more than 40!

So what makes a great opening line? I’m not sure what the criteria was for my friends — all great choices by the way — but for me it’s imagery. Does the first line set the scene? It’s energy. Some lyrics pull you right in. One I chose for its cleverness. Does it compel you to sing along?

At any rate, I felt that my sound posse could put more genuine consideration into this topic. I’m sure no one thinks their list is exhaustive, but we’ve got everything from Jethro Tull to Robbie Williams, and even two each from Death Cab and Prince, so that counts for something, right?

From GenXatmidlife, who takes this kind of stuff very seriously…

Buckley– “Love, let me sleep tonight on your couch.” So Real, Jeff Buckley

– “Instant karma’s gonna get you… gonna knock you right on the head.” Instant Karma, John Lennon

– “How I wish you could see the potential… the potential of you and me. It’s like a book elegantly bound, but in a language that you can’t read… just yet.” I Will Possess Your Heart, Death Cab for Cutie

– “That’s great, it starts with an earthquake, birds and snakes, an aeroplane, and Lenny Bruce is not afraid,” It’s The End Of The World As We Know It, R.E.M.

– “Cold late night so long ago, when I was not so strong you know… pretty man came to me, never seen eyes so blue.” Magic Man, Heart

 

From Paul, who forces me to admit that, yes, Rush is a pretty good band…

led-zeppelin“Hey, hey mama, said the way you move… gonna make you sweat, gonna make you groove.” Black Dog, Led Zepplin

“You know that it would be untrue. You know that I would be a liar. If I were to say to you, ‘Girl we couldn’t get much higher.'” Light My Fire, The Doors

“I once had a girl… or should I say… she once had me.” Norwegian Wood, The Beatles

“The sky is burnin’. I believe my soul’s on fire. You are… I’m learnin’… the key to my desire.” Burnin’ Sky, Bad Company

“I was born in a crossfire hurricane. And I howled at my ma in the driving rain.” Jumpin’ Jack Flash, The Rolling Stones

 

Tom-Petty-ww04From Amy, who is Tom Petty’s girl (really, check out her post)…

– “She grew up in an Indiana town. Had a good-lookin’ mama who never was around. But she grew up tall and she grew up right with them Indiana boys on them Indiana nights.” Last Dance With Mary Jane, Tom Petty

– “Psychic spies from China try to steal your mind’s elation. Little girls from Sweden dream of silver screen quotations. And if you want these kind of dreams, it’s Californication.” Californication, Red Hot Chili Peppers

– “Love of mine, some day you will die, but I’ll be close behind. I’ll follow you into the dark… no blinding light or tunnels to gates of white… just our hands clasped so tight waiting for the hint of a spark. I Will Follow You Into The Dark, Death Cab for Cutie

– “I want love to: roll me over slowly, stick a knife inside me, and twist it all around. I want love to: grab my fingers gently, slam them in a doorway, put my face into the ground.” Love Interruption, Jack White

– “I guess I should’ve known by the way you parked your car sideways that it wouldn’t last. See, you’re the kinda person that believes in makin’ out once love ’em and leave ’em fast.” Little Red Corvette, Prince

 

american_pie1From Sue, who introduced me to the genius of Morrissey…
– “A long, long time ago I can still remember how that music used to make me smile. And I knew if I had my chance that I could make those people dance, and maybe they’d be happy for a while.” American Pie, Don McClean

– “I’ve been looking so long at these pictures of you, that I almost believe that they’re real. I’ve been living so long with my pictures of you, that I almost believe that the pictures are all I can feel.” Pictures of You, The Cure

– “I am the son and the heir of a shyness that is criminally vulgar. I am the son and heir of nothing in particular.” How Soon Is Now, The Smiths

– “It’s been seven hours and fifteen days, since u took your love away. I go out every night and sleep all day, since u took your love away.” Nothing Compares 2 U, Prince

– “I sit and wait. Does an angel contemplate my fate? And do they know the places where we go when we’re grey and old?” Angels, Robbie Williams

 

queen-band-i14From Dave, who made country the majority shareholder of his musical tastes this past summer…
– “She keeps the Moet Chandon in a pretty cabinet. Let them eat cake, she says, just like Marie Antoinette.” Killer Queen, Queen

– “Suckers walk! Money talks! But it can’t touch my three-lock box.” Three-Lock Box, Sammy Hagar

– “In the twilight glow, I see blue eyes crying in the rain.” Blue Eyes Crying In The Rain, Willie Nelson

– “I bought a toothbrush, some toothpaste, a flannel for my face, pajamas, a hair brush, new shoes and a case. I said to my reflection let’s get out of this place.” Tempted, Squeeze

– “The only two things in life that make it worth livin’ is good tuned guitars and firm feelin’ women.” Luckenbach, Texas, Merle Haggard

 

lita-ford-liveFrom Jill, the source of all things pop culture, including the VH-1 list…
– “I went to a party last Saturday night, didn’t get laid, got in a fight.” Kiss Me Deadly, Lita Ford

– “He said the way my blue eyes shined put those Georgia stars to shame that night. I said, that’s a lie.” Tim McGraw, Taylor Swift

– “I recommend getting your heart trampled on to anyone. I recommend walking around naked in your living room.” You Learn, Alanis Morrisette

– “Come on, Virginia, don’t let me wait. You Catholic girls start much to late.” Only The Good Die Young, Billy Joel

– “You walked into the party, like you were walking onto a yacht. Your hat strategically dipped below one eye. Your scarf it was apricot.” You’re So Vain, Carly Simon

 

albertking580From Mara, whose has seen everyone from Paul McCartney to Ricky Martin to the Black Keys…

– “Born under a bad sign, been down since I began to crawl. If it wasn’t for bad luck, wouldn’t have no luck at all.” Born Under a Bad Sign, Albert King and others

– “Sitting on a park bench, eyeing little girls with bad intent.” Aqualung, Jethro Tull

– “Purple haze was in my brain… lately things don’t seem the same. Acting funny but I don’t know why. ‘Scuse me while I kiss the sky.” Purple Haze, Jimi Hendrix

– “She loves you… yeah, yeah, yeah.” She Loves You, The Beatles

– “There must be some kind of way out of here, said the joker to the thief.” All Along The Watchtower, Bob Dylan

Gimme some feedback. What did we miss? Please leave your comments below.

Meeting the Beatles for the Non-Believer

The Beatles Later YearsAnyone interested in parting with roughly $190 US for the new Oasis deluxe box set? Me neither. Nor is my fellow blogger at everyrecordtellsastory.com. He has issued a Vinyl Challenge to see how else he might spend the equivalent in British pounds. He’s set out to build the best record collection he can for a friend who needs to get hooked on vinyl. Check out his last few posts to see how he’s accomplishing this. If you haven’t shopped for vinyl in a while — or say 20 years — you’ll be surprised at how things have changed.

Every Record Tells a Story has inspired me. I’m not in the market for an Oasis deluxe box set, either, so I’ve thought about what else I could do with the money… some way that I could help out a friend… some way that I could build a package of the best the world of music has to offer. And, coincidentally, you could say it was inspired by Oasis in reverse.

But really it was motivated by an incident that took place a few weeks ago at a party we hosted. There I learned that one of our guests does not like the Beatles. Like most people who say this, he seemed to imply that the band is overrated.

A shrug for the Beatles? This is quite curable.

With people one knows well, the remedy can be achieved over time and a paced series of recommendations. But in the case of a person one sees occasionally and at social events that primarily revolve around their children’s school, it’s a bit trickier as people aren’t so receptive when one dominates the conversation with talk about bands. (Trust me, I’ve been down that road before.)

So the challenge I have undertaken is this — find a way to budget the $190.00 to develop my own “box set” that provides the critical education necessary for enlightenment and enhanced musical pleasure, because, after all, life is so much better when you have the Beatles around to enjoy.

You might ask, “Can’t you just download some hits from iTunes and be done with it?”

The key here, though, is context. My friend probably has already heard most, if not all, of the Beatles chart-toppers and a handful of B-sides. Somewhere along the line, their brilliance was not absorbed. (In fact, I argue that the prevalence of things like The Beatles 1, etc., does more to inhibit understanding of the Beatles than develop it.)

Like the Oasis box set, my collection includes more than just music. In order to appreciate the Beatles, a person needs to understand their role in the development of the rock and popular music canon, how they transcended boundaries — the disappearance of which we take for granted, and the foundation they established for the artists who emerged with them and afterwards.

I don’t know said friend well enough to spend $190 on him, regardless of how life-changing this gift would be, so this is fact-based but fictitious. So, let me introduce to you…

THE GENXATMIDLIFE.COM BEATLES ENLIGHTENMENT BOX SET

IMG_2083Hard Days Write ($9.98 at Barnes & Noble) — The Beatles were prolific. Maybe it was the 10,000 hours of practice, the intensity of Hamburg, the early years spent in hotel rooms sheltered from mobs of teenage girls bent on plucking the hairs from their growth follicles — but few bands (or none) have produced so much, so good in such a limited amount of time. It probably helped that they didn’t tour after 1965 — more time for songwriting and working in the studio.

This book does a great job of illustrating the bridge between the Beatles’ early years — simpler songs, “innocent” subjects — and the more sophisticated compositions of their later years. These guys could write about anything… from pets to prostitutes… and make it awesome. In fact, if they were sitting in my house right now, they could probably craft a Top 10 hit about how much I’d like new granite in my kitchen.


revolver

Rubber Soul ($19.99 on amazon.com) and Revolver ($19.99 on amazon.com) on vinyl. Post Hard Days Night the title for “the Beatles’ Best Album” is up for grabs. Is there really a consensus? Each has it merits, but in my opinion, these two are the most important for the non-believer, as they are likely the ones they don’t know that well. (This observation is based only on conversations I’ve had with said people and is in no way quantifiable or scientific.)

You can’t have one without the other. The transition began before Rubber Soul, but it’s at this point that it is fully emerged. With Revolver, it is fully realized, and there is no turning back (even with the stripped-down efforts of Let It Be). By this time, the Beatles had obviously matured significantly as musicians, songwriters and observers of the world.

This is one case where I insist on vinyl. There is something about the act of placing the needle on the record, the shiny outer strip that marks the anticipation of the first notes, that prepares the listener for the power of what they are about to hear. It’s like a ritual, paying homage to those first listeners who slid the vinyl disc from its dust cover, delicately securing its edges between the pads of their middle fingers and thumbs, placing the hole on the center spindle, setting the speed to 33 1/3 and switching on the turntable. If my friend is going to really listen to these albums for the first time, this is how it needs to be done. (And if they don’t have a working turntable, they can come to our house where we will be happy to provide educational commentary between sides.)

Rubber Soul ($12.99 on amazon.com) and Revolver ($13.88 on amazon.com) on CD. For practical reasons.

Let It Be RooftopAbbey Road ($12.99), Let It Be ($16.29), The White Album ($19.88), Sgt. Pepper’s Lonely Hearts Club Band ($13.88), Magical Mystery Tour($13.88), Help! ($16.29) on CD from amazon.com*. Why CDs and not iTunes? Each of these need to be understood as a collection. On iTunes, it is too easy to perceive each song as a single, and that is no way to consider the works of the Beatles. You need to hear “Sgt. Pepper’s Lonely Hearts Club Band (Reprise)” roll into “A Day in the Life. You need to witness the range of “Rocky Racoon,” “Glass Onion” and “Julia” within a single (double) album. Worst of all is how iTunes severs The Medley.

With a CD, you can open the jewel case, check out the cover, hold the evolution in your hand. On iTunes, it’s too easy for very special music to get lost among the shuffle of Ratt’s first album, the Timberlake stuff you have for parties and that Edwin McCain song you downloaded for your friend at 12:03 a.m. last Saturday night after that second appletini.

If I had more money to work with — or was a better bargain shopper — I’d buy all the way back to Meet the Beatles. But given the limitations of my imaginary budget and, most likely, my friend’s willingness to listen, I can’t push it. Anyway, I want to leave something for the “new” Beatles fan to discover, so they can come back to me again and again and tell me how right I was.

IMG_2089Hard Days Night” DVD ($18.99 at Laurie’s Planet of Sound) — It’s easy to think of a band that recorded, “I Want To Hold Your Hand,” as dismissible in the post-60s musical era. In fact, this is the song people (though they are few) bring up when I express my shock that they don’t care for the Beatles. These people need to be reminded that the Beatles had a lot of work to do before they could unleash “A Day in the Life,” and even “Help,” on the world. They had to chip away at the barriers of convention that dominated popular music.

In the movie, “A Hard Days Night,” the world was introduced to four young men from Liverpool, of all places, whom you could see right away had a kind of humor and humanity that gave hint to their staying power. After seeing this, how would anyone be able to resist?

Without tax*, I have spent $189.03, just shy of my $190.00 goal. Converting a non-believer for less than $200.00? As Master Card would say — Priceless.

* I know that shopping at markets and independent record stores is much more fun. But with Amazon Prime, shipping is free, it comes in two days and I don’t pay tax, which I have conveniently left off the B&N and Laurie’s “purchases.” Plus, it’s a bit cheaper than our local indy shop.

6 Things Only a GenXer Would Find in The Basement

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Who knew that cleaning out a basement would provide so much material for a blog? Well, I kind of did, but I had no idea what little treasures I’d find back in dusty corners among 30+ cans of left-over paint (not our fault — previous owners were ridiculous about keeping them), garbage bags filled with concert t-shirts, and countless bins of toys illustrating consumer culture gone berserk (actually, I made the kids reduce this by 50 percent last summer).

If you are a GenXer and you’ve made it to midlife, you’ll appreciate the following… and you might even have similar sorts of things in your own basement.

A library of mixed tapes. When I say “library,” I imply that it has been catalogued… curated, if you will, to include the very best music of my time. But to say such things about my collection of mixed tapes is misleading. As I read the card inserts of the cassette cases, it became clear that the music I felt worthy of transferring from one tape to another (or record off of WVUR) was disappointingly limited. How many mix tapes should I really have created including The Smith’s “How Soon Is Now” and When In Rome’s “The Promise”? I am a good 20-plus years past my youthful prime, and I have more diverse single playlists on my iPod than what remained of my entire collection of mix tapes.

Actually, this box represents only a fraction of the mix tapes I found. It was filled to the top. For the record, the Rush and Anthrax belong to my husband (or one of his former roommates). Those are his toes too.

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Other relics of modern technology. Cassettes were to music in the 80s what CDs were to encyclopedias in the 90s — a brief interlude of technology that put what used to take up so much space (10-inch vinyl, a bookcase full of texts) on something much smaller and more portable. Now you can get much of what was previously available on these formats on the internet — for free or a small fee. But for a short period of time, the idea that you could take a 32-volume behemoth and capture it on a thin round piece of plastic was so revolutionary, even Microsoft got into the act.

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Fashion history. You knew it was coming, didn’t you? You thought, “Is it possible that these people have a pair of parachute pants in their basement?”

Yes, when everyone else dropped theirs off at the Goodwill in 1985, someone from my family kept his in a pile of clothes that, while reduced to only a few garments by now, still contains this pair in cement gray.

But does he still fit into them? That’s an answer that will remain unpublished.

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No young man circa 1984 would feel completely dressed without a matching Members Only jacket. But this one is even better — it’s a vest. And it’s a coordinating shade a gray, making it the perfect piece for the monochrome look. BONUS — it still fits!! Back in the day, if this dude had walked into my hometown’s teen disco, The Casbah, I would have faced some tough competition!

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Religion notebook doodles only a student in the 80s would make. My husband received As in Religion (Catholic school), but you wouldn’t know it from the cover of his notebook. Perhaps he was trying to hide the secret to his success behind these stylized band logos. Either that or, Dude, Jesus must have totally rocked in the 80s.

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And if Hubby was hiding A-worthy notes behind the cover, could this be his visual interpretation of the Crusades?

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I didn’t attend Catholic school, so I am not one to judge. But I wonder what Sister Mary Joseph made of this art.

The glory of 80s hair. Okay 80s hair band fans, check this out — a 1987 copy of Hit Parader. This magazine was first published back in the 40s, but it peaked in the 80s, and I think you can see why.

In my teen years, Hit Parader was the alternative to Rolling Stone that my mom would let me buy due to RS’s “mature” content, though I’m not sure how she came to this conclusion. The artists always looked much less stoned on the cover of RS than mags like Creem and Hit Parader.

This particular issue features Jon Bon Jovi on the cover (yes, it says “Too hot to handle” just below his name), with the promise of updates on other bands like Def Leppard and Poison, along with a Cinderella centerfold. (I’ve gotta ask, did people really tape Cinderella to their wall?) The neon pink masthead is a nice touch too. I wonder if they did that because they had a heartthrob on the cover.

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Don’t hate me because I have a Weeble. Not only do I have one of these in my basement, I have a whole Weebles Treasure Island Set! Of all the things that I found in our basement, this Weeble is probably the one thing that elicits the most envy.

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A Black Celebration for Valentine’s Day

Flaming HeartsA couple decades or so back in time, my friends and I celebrated Valentine’s Day in a way that was freeing in both its interpretation of the holiday and its obligations. We organized a Black Valentine’s Day party and invited everyone we knew to attend (not a big crowd, as we were on an overseas study program). The only requirement was that one dress in black and not hijack the event with their own romantic notions.

This kind of celebration was a relief to most of us, including me. After graduating from valentine collection boxes wrapped in red and pink construction paper, I spent Valentine’s Day in some interesting ways, including almost getting hit by a car on an icy highway, receiving flowers from a boyfriend a few days after we broke up (he had already ordered them), and receiving flowers from a stranger who had the same name as another “friend,” who awkwardly confessed to me that he didn’t send them when I called to thank him. (Months later I found out that the sender was some random guy from a party I attended who sent them on a whim.)

Armed with our party parameters, a boom box, and some lager, wine and junk food, we took over a big common room and threw one of the best Valentine’s Day parties we’d ever attended since the days of drinking Hawaiian Punch from Dixie Cups in grade school. I have a few incriminating photos of people breaking the “no romance” rule, but that was after a beverage or two, so it was possible that it had little to do with Cupid.

I would bet just about any amount of money that our playlist for that evening included New Order, Depeche Mode, U2 and Terence Trent D’Arby, among others. We popped cassettes in and out of the boom box all night long, yelling, “Wait a second,” while we fast-forwarded and rewound to our selections, the gap between songs filled by the clinking of bottles and glasses and the chatter of 30 or so people who were united by a common goal — to leave Valentine’s Day with a lighter heart.

If you were to put such a playlist together today, what would you include? Let me offer you some inspiration with something from that original Black Valentine’s Day celebration.

The Beatles Anniversary Special Celebrated More Than Just 1964

The Beatles in 1964I have to admit that even as a Beatles fan, I was slightly skeptical of the 50th anniversary special commemorating their first appearance on the Ed Sullivan Show. It’s not that I didn’t think it’d be filled with good performances. Rather, I was wary of it not capturing the essence of The Beatles, which means something very different, I’m sure, to a fan born several years after 1964 versus someone who watched the Ed Sullivan Show live that February 9th.

When I talk with other people about The Beatles, those who aren’t fans — and there are many more than I expect– automatically bring up “I Want To Hold Your Hand” or another one of their early hits. (It’s probably much like what Beach Boys fans hear from people who mention “I Get Around”.) They think of Beatlemania and the screaming girls and the matching suits. This is a far place from where I am, having “discovered” The Beatles through Sgt. Pepper and The White Album.

Rather than rehash that early period, last night’s show transcended that time of frenzy and wove many aspects of The Beatles’ contributions in a way that paid homage to the foundation of their influence on music. It didn’t all begin 50 years ago, and it has continued long after, but that event from 1964 made all that came after possible.

Wow — FIFTY years ago. That’s incredible when you see how relevant The Beatles still are — as last night’s special showed — and the degree to which they remain an influence on pop and rock music. Not every artist handled their assignments well, but there were some highlights, and it was in those that love for the music really shone. Maybe you agree with some of these:

Imagine Dragons did an incredible rendition of “Revolution”. They chose a more R&B treatment, kind of like what the skiffle bands of The Beatles’ origins would have done. It was interesting to see a young band use an old sound for a truly fresh take that didn’t stray too far from the originals.

Ed Sheeran paid beautiful tribute to “In My Life,” a song so amazing that everyone should learn the words and melodies the way we know Happy Birthday. Few have expressed love of any and every kind so well.

Dave Grohl, Joe Walsh and Gary Clark, Jr., really warmed up the theater with “While My Guitar Gently Weeps,” before Ringo Starr came out as the lead-in to the finale featuring him and Paul. By then, everyone was loose and moving. Usually when you see televised performances like this (the Grammys, etc.), only a few of the artists get up and really enjoy the music. Last night, we saw no stiff faces or self-conscious masks of boredom.

Both Ringo and Paul McCartney turned out solid performances. While Ringo was never known for his singing voice, he’s clearly an entertainer in front of and behind the drums. McCartney is always amazing. He may not have the vocal range he once did, but he is present for every minute of every song.

The (remaining) Beatles showed tonight why they are, in fact, The Beatles… why they occupy that echelon above all others. By the end of the evening, the audience was engrossed. Almost every performer who played one of their songs displayed a sense of gratitude to the music. (My one criticism about the evening was that artists who clearly weren’t inspired had the opportunity to perform. With all the talent available, they could have found an alternative to Alicia Keys, who seemed almost dismissive.) Not only have The Beatles inspired people to love their music, they’ve inspired people to love all kinds of music. Who can deny this after seeing that whole theater under the influence of “Yellow Submarine”?

Drill down to a single person sitting on her couch in Illinois. My opening Facebook comment about the performance was that I did a better job singing “Ticket To Ride” on my couch than Adam Levine. I don’t think that I am a better singer than him. Rather, there’s a passion in loving a song, in having sung a song thousands of times (quite possibly more than Adam Levine) that makes the difference.

That is The Beatles’ legacy. And to my surprise, the 50th anniversary special captured it. Click here for a great recap from Billboard, including the set list.